Law Roach Style: Fall/Winter Fashion With an Architectural Point of View

Law Roach Style: Fall/Winter Fashion With an Architectural Point of View

Statement outerwear, tactile knits and bags that echo the story-led approach behind Roach’s red carpet work.

Law Roach’s image-architect approach meets fall and winter layers, sculptural bags and strong footwear in a story-led edit.

Law Roach’s image architecture starts with the story

Law Roach describes himself as an image architect, and the phrase catches how he treats a red carpet as a story rather than a rack of clothes. He opened his vintage boutique, Deliciously Vintage, in 2009, then built a long creative partnership with Zendaya.

 

His 2024 book, How to Build a Fashion Icon, takes that point of view into print. I like that his strongest looks feel specific to a moment, while the clothes still carry a clear silhouette.

A woman in a beige trench coat carries a dark shoulder bag in front of a brick wall.
Law Roach. Photo: burberry.com
A model in an ivory suit carries a pale shoulder bag in front of a dark green hedge.
Law Roach. Photo: marni.com

Method dressing gives the clothes a narrative

For Dune: Part Two, Roach and Zendaya adopted method dressing, connecting the press tour wardrobe to the film’s science fiction world. One of its standout references was Thierry Mugler’s archival robot suit from the fall 1995 couture collection.

 

Zendaya’s 2018 Met Gala look took a Joan of Arc idea from Versace, and Roach received the first CFDA Stylist Award in 2022. This edit follows the same rhythm with shaped outerwear, tactile knitwear, bags and shoes instead of recreating a single red carpet look.

A model in a red coat carries a small brown handbag on a terracotta terrace beside the sea.
Law Roach. Photo: jacquemus.com
A model in a pale tailored suit and white boots stands beside a seated mannequin in a warm interior.
Law Roach. Photo: maisonmargiela.com

Where I would start with Law Roach’s style

I would begin with a coat that sets the proportion. Add a knit with visible texture, then keep the accessories clean. That balance lets a reference feel personal rather than like a costume.